Peter Gabriel is the second coming

by Ken Hayes

Peter Gabriel is a long established rock musician who’s music has reached people all over the world. We can reveal here for the first time that Peter Gabriel is in fact the Messiah, and that he has left us a number of clues over the years that help to reveal his true identity. Let us examine the evidence:
•Peter shares his name with St. Peter and the angel Gabriel.
•He was a member of the band Genesis, the first book of the bible.
•He often uses religious themes, for example, the song The Blood of Eden; the Passion soundtrack for The Last Temptation of Christ and his CD-Rom Eden.
•Sinead O’Connor who appears on the song The Blood of Eden went from being a wild child to becoming a priest after befriending him.
Does she know something we don’t?

The greatest evidence we have is in the lyrics of his song Solsbury Hill where he describes how he met with God and how he revealed him that he was his son.

Let us examine the lyrics of the song:

He was something to observe
Came in close, I heard a voice
Standing stretching every nerve
Had to listen had no choice
I did not believe the information
[I] just had to trust imagination
My heart going boom boom boom
‘Son’, he said ‘Grab your things,
I’ve come to take you home’.

He is describing how he was told by God who he really was and how he had to come to terms with his status.

Later in the song he sings:

To keep in silence I resigned
My friends would think I was a nut
Turning water into wine
Open doors would soon be shut

He is saying that he has decided not to tell anyone about what he has learned in case he’s branded a lunatic. He also thinks about what new possibilities there are for him because he has miraculous abilities. He contemplates how his life has suddenly changed.

In the last verse he sings about how people are oblivious to his true identity and that at some point in time he will reveal his true self:

When I think that I am free
Watched by empty silhouettes
Who close their eyes but still can see
No one taught them etiquette
I will show another me

Peter clearly feels he had this role thrust upon him against his will. In an interview with Musician magazine in June 1989 he stated:

Christianity is poured deep in my consciousness, whether I choose to or not.

To finish though, If you believe that Peter is the Messiah and that rock’n’roll will save your soul, take heed, because he also gave this warning in the 1972 Genesis song Apocalypse in 9/8:

666 is no longer alone,
He’s getting out the marrow in your back bone,
And the seven trumpets blowing sweet rock and roll,
Gonna blow right down inside your soul.
Pythagorus with the looking glass reflects the full moon,
In blood, he’s writing the lyrics of a brand new tune.

What is a madtheory anyway?

It is based on facts, events, people and places that exist or have existed. You, the inventive theorist, has subsequently drawn conclusions from the data available to formulate a theory, however absurd.

It can be about anything: historical events, unsolved mysterys, aliens, nature, religion, the origin of man, science, politics, murders, ghosts, the supernatural, conspiracys, the Titanic, the moon landing, corruption or Padraig Flynn, to name just a few.

•Did man actually step on the moon or was it all an elaborate hoax?

•Is Elvis really dead?

•Have we been visited by aliens?

•Is Sophie Ellis Bextor one of them???

Here, we gather evidence for some of the wildest theories out there: the bizarre to the hilarious; the strangely believable.

We present the evidence…
you decide if you believe it or not.

New Gallery

Fairlight sounds

Over on the Sound On Sound Forum there was an investigation into some of the sounds on Kate Bush’s Hounds of Love album. Poster desmond managed to figure it all out. So I dug in myself and did a few tests with Fairlight sounds, adding the Linn 9000 drums that desmond was unable to nail:

Under Ice

Watching you without me

Running Up That Hill (A deal with God)

Two 1982 Quantec QRS units (as used by Kate Bush) and the 1987 QRS/XL.

Except for Watching you without me all of the sounds in these tracks were achieved by processing simple single note samples of a cello, specifically Cello 1 and Cello 2 from the Fairlight IIx library. The wonderful airy droning sounds are created by playing a chord into a reverb set to infinite decay. It appears that Ms. Bush used the Quantec Room Simulator for this. Mike Oldfield used this machine for the same effect on his Crises album, as well as the Fairlight.

I haven’t got the chord progression quite right on Running Up That Hill, but it’s sufficient to see how the sounds were put together. What amazes me is that, dry, this pitch modulated Fairlight cello sounds unusable. Goes to show what a creative lady she is.

Kate with her Fairlight

Going Under

Here’s a track from our forthcoming album. The song celebrates the heroes of Chernobyl.

After the explosion it was determined that all the water that was being dumped into the reactor area to quench the fires was in fact pooling in rooms below the now molten reactor core. If the core melted into the chambers below the steam explosion would kill everyone on site, and render an area of hundreds of miles around completely uninhabitable from fallout. The radiation within the buildings was immense.

Three divers volunteered: Alexei Ananenko, Valeri Bezpalov, and Boris Baranov. Their light failed almost immediately, and they were forced to procede underwater, through the dark. The sluice gates opened some time later, and the water was drained. The men never left the lower chambers, and were entombed when the Sarcophagus was built around the site.

Fun with synths

First, the Roland V-Synth. Totally unique abilities, and intuitive to use:

The V-Synth does an exact replica of the Roland D-50, an early sample playback synth with some bizarre but useful compromises. Classic sounds:

Then the Kawai K5. Additive synth, interesting in theory but in reality not productive. Some good sounds though:

The K1r, another severely compromised sample playback machine. The poor man’s D-50. But again, the compromises are musically useful:

And finally, the Korg EX-800, a strangely compromised analogue subtractive synth:

In theory, the V-Synth can make any sound that the others can make. But the peculiar design compromises that were made in order to get these synths into the market place, can lead you down some interesting avenues in the quest for new sounds.